1
00:09:19,017 --> 00:09:20,474
Here you go.

2
00:09:27,192 --> 00:09:30,276
Our best wishes
for a most enjoyable sojourn.

3
00:09:30,820 --> 00:09:34,734
Let us bring our poor service
to your kind attention.

4
00:09:36,159 --> 00:09:39,277
<i>Au revoir. Excusez. Bonjour!</i>

5
00:09:40,872 --> 00:09:42,363
Your Excellency.

6
00:09:42,624 --> 00:09:44,411
And by the way, sir,

7
00:09:44,876 --> 00:09:47,539
our compliments to your little sweetheart,

8
00:09:47,629 --> 00:09:51,373
to your pretty little sweetheart.

9
00:09:51,466 --> 00:09:53,799
Our best wishes, signore.

10
00:09:58,932 --> 00:10:00,639
Take me to the steamship landing.

11
00:10:12,654 --> 00:10:14,691
I said take me to the steamship landing.

12
00:10:20,036 --> 00:10:22,073
The signore is going to the Lido.

13
00:10:22,789 --> 00:10:24,850
Yes, I know that,
but first I want to go to San Marco.

14
00:10:24,874 --> 00:10:26,365
I get the vaporetto from there.

15
00:10:27,335 --> 00:10:29,167
But you cannot take the vaporetto.

16
00:10:29,921 --> 00:10:31,037
Why not?

17
00:10:31,131 --> 00:10:33,464
Because the vaporetto
does not take luggage.

18
00:10:34,676 --> 00:10:36,759
That is my concern! Turn round!

19
00:11:02,787 --> 00:11:04,449
How much do you charge for this trip?

20
00:11:05,415 --> 00:11:06,951
The signore will pay.

21
00:11:08,668 --> 00:11:10,409
I'll pay you no penny at all

22
00:11:10,795 --> 00:11:12,832
unless you take me
exactly where I want to go.

23
00:11:13,256 --> 00:11:16,465
- You want to go to the Lido.
- But not with you.

24
00:11:16,801 --> 00:11:19,760
I am a good rower, signore.
I row you well.

25
00:11:36,029 --> 00:11:37,611
I don't understand.

26
00:13:46,826 --> 00:13:49,864
- That gondolier is a bad character.
- Ah?

27
00:13:49,954 --> 00:13:52,913
He has no license.
The other gondoliers telephoned.

28
00:13:52,999 --> 00:13:56,163
He saw the police waiting,
and he made off quickly.

29
00:13:56,252 --> 00:13:57,252
Aha.

30
00:13:57,295 --> 00:13:59,878
Signore,
you had a ride to the Lido for nothing.

31
00:14:06,387 --> 00:14:07,387
Thank you.

32
00:15:29,512 --> 00:15:32,004
Good afternoon, Professor von Aschenbach.

33
00:15:32,890 --> 00:15:35,303
Allow me to extend you
the compliments of the management.

34
00:15:37,728 --> 00:15:41,688
I hope the room we have reserved
will meet with your satisfaction.

35
00:15:49,157 --> 00:15:52,275
We have a marvelous beginning of season,
just a little scirocco.

36
00:15:56,164 --> 00:15:58,372
I hope you will have a marvelous time.

37
00:16:10,803 --> 00:16:11,803
<i>Prego.</i>

38
00:16:20,521 --> 00:16:22,513
Third floor. Please.

39
00:16:26,194 --> 00:16:27,480
No, this side, please.

40
00:16:32,867 --> 00:16:34,529
Come in.

41
00:16:36,078 --> 00:16:37,694
Here is your room.

42
00:16:39,540 --> 00:16:40,747
After you.

43
00:16:43,044 --> 00:16:45,036
I hope the flowers won't bother you.

44
00:16:52,428 --> 00:16:55,671
We have reserved the best room
in the hotel for you, Professor.

45
00:16:55,932 --> 00:16:57,423
I hope you will like it.

46
00:17:07,944 --> 00:17:10,311
You have a marvelous view of the sea.

47
00:17:10,404 --> 00:17:14,148
Today the weather is not very good,
but tomorrow it will be better.

48
00:17:39,517 --> 00:17:41,349
I hope you enjoy your visit,

49
00:17:41,435 --> 00:17:45,896
and I hope that the room we have reserved
for you is completely to your liking.

50
00:17:46,315 --> 00:17:48,557
Well, when you need something,
you call me, sir.

51
00:17:48,651 --> 00:17:49,812
- Thank you.
<i>- Grazie.</i>

52
00:17:51,821 --> 00:17:54,029
Oh. Your key, Professor Aschenbach.

53
00:17:54,115 --> 00:17:56,027
308. Remember.

54
00:17:57,326 --> 00:17:58,362
Excuse me.

55
00:19:14,236 --> 00:19:15,568
He's going to be all right.

56
00:19:18,699 --> 00:19:20,736
When do you think
he'll be able to work again?

57
00:19:22,119 --> 00:19:26,113
Hmm. That's difficult to say...
in cases like this.

58
00:19:28,501 --> 00:19:31,244
I must say, he has no reason
to be proud of his heart.

59
00:19:34,090 --> 00:19:37,879
He needs to get away from it all.
A long period of complete rest.

60
00:19:40,096 --> 00:19:41,096
Mm.

61
00:19:53,317 --> 00:19:54,478
Gustav?

62
00:19:57,488 --> 00:19:59,480
Gustav.

63
00:20:27,685 --> 00:20:29,096
I remember...

64
00:20:31,188 --> 00:20:33,100
we once had one of those...

65
00:20:35,317 --> 00:20:36,979
in my father's house.

66
00:20:40,406 --> 00:20:44,116
The aperture through which the sand runs
is so tiny that,

67
00:20:45,035 --> 00:20:49,780
at first, it seems
as if the level in the upper glass...

68
00:20:52,543 --> 00:20:53,954
never changes.

69
00:21:00,426 --> 00:21:03,885
To our eyes,
it appears that the sand runs out only...

70
00:21:06,265 --> 00:21:08,052
only at the end.

71
00:21:11,854 --> 00:21:15,723
And until it does,
it's not worth thinking about.

72
00:21:21,947 --> 00:21:23,609
Till the last moment...

73
00:21:27,369 --> 00:21:28,905
when there's no more time...

74
00:21:33,334 --> 00:21:37,749
when there's no more time left
to think about it.

75
00:27:43,328 --> 00:27:45,820
Ladies and gentlemen, dinner is served.

76
00:28:10,439 --> 00:28:12,333
- Good evening, ladies and gentlemen.
- Good evening.

77
00:28:12,357 --> 00:28:15,020
- Dinner will be served in five minutes.
- Ah, that's all right.

78
00:28:15,110 --> 00:28:17,297
- I am sure you will enjoy the dinner.
- I'm sure.

79
00:28:17,321 --> 00:28:19,779
I have a good appetite.
I had a good walk today.

80
00:28:19,865 --> 00:28:21,572
What are you going to have to drink?

81
00:28:22,367 --> 00:28:23,528
Dry sherry.

82
00:30:13,061 --> 00:30:16,099
<i>Parfait.</i>

83
00:32:48,967 --> 00:32:49,967
Excuse me.

84
00:32:56,183 --> 00:32:58,015
- Soup and fish.
- Thank you.

85
00:32:58,101 --> 00:32:59,182
Nothing else.

86
00:33:36,890 --> 00:33:38,347
<i>Beauty?</i>

87
00:33:38,433 --> 00:33:41,267
<i>You mean your spiritual conception
of beauty.</i>

88
00:33:41,603 --> 00:33:45,096
<i>But do you deny the ability
of the artist to create from the spirit?</i>

89
00:33:45,190 --> 00:33:47,648
<i>Yes, Gusta v,
that is precisely what I deny.</i>

90
00:34:01,831 --> 00:34:03,868
<i>And so then, according to you,</i>

91
00:34:03,959 --> 00:34:05,370
<i>our labor as artists is a...</i>

92
00:34:05,460 --> 00:34:07,076
<i>Labor, exactly.</i>

93
00:34:08,338 --> 00:34:12,082
<i>Do you really belie ve in beauty
as the product oflabor?</i>

94
00:34:15,512 --> 00:34:16,719
<i>Yes.</i>

95
00:34:18,932 --> 00:34:20,468
<i>Yes, I do.</i>

96
00:34:24,187 --> 00:34:26,304
<i>That's how beauty is born.</i>

97
00:34:26,398 --> 00:34:27,605
<i>Like that, spontaneously.</i>

98
00:34:27,691 --> 00:34:30,604
<i>In utter disregard
for your labor and mine.</i>

99
00:34:31,069 --> 00:34:33,607
<i>It preexists our presumption as artists.</i>

100
00:34:33,905 --> 00:34:34,905
Yes.

101
00:35:10,275 --> 00:35:11,937
<i>Your great error, my dear friend,</i>

102
00:35:12,027 --> 00:35:16,146
<i>is to consider life... reality...
as a limitation.</i>

103
00:35:16,698 --> 00:35:18,064
Well, isn't that what it is?

104
00:35:18,450 --> 00:35:20,988
Reality only distracts and degrades us.

105
00:35:31,963 --> 00:35:33,579
You know, sometimes I think...

106
00:35:34,382 --> 00:35:38,342
Sometimes I think that artists are
rather like hunters aiming in the dark.

107
00:35:39,596 --> 00:35:42,596
They don't know what their target is,
and they don't know if they've hit it.

108
00:35:43,516 --> 00:35:48,181
But you can't expect life to illuminate
the target and steady your aim.

109
00:35:49,981 --> 00:35:54,692
The creation of beauty and purity
is a spiritual act.

110
00:35:56,946 --> 00:35:59,359
No, Gustav. No.

111
00:36:00,909 --> 00:36:04,528
Beauty belongs to the senses.

112
00:36:05,121 --> 00:36:06,578
Only to the senses.

113
00:36:08,750 --> 00:36:11,163
You cannot reach the spirit...

114
00:36:13,129 --> 00:36:15,667
You cannot reach the spirit
through the senses.

115
00:36:16,091 --> 00:36:17,252
You cannot.

116
00:36:17,926 --> 00:36:22,762
It's only by complete domination
of the senses

117
00:36:23,306 --> 00:36:25,047
that you can ever achieve

118
00:36:25,642 --> 00:36:29,431
wisdom, truth, and human dignity.

119
00:36:30,105 --> 00:36:32,893
Wisdom? Human dignity?

120
00:36:32,982 --> 00:36:34,314
Yes.

121
00:36:34,401 --> 00:36:35,733
What use are they?

122
00:36:36,861 --> 00:36:39,649
Genius is a divine gift.

123
00:36:39,739 --> 00:36:43,779
No, no, no... a divine affliction.

124
00:36:43,868 --> 00:36:47,032
A sinful, morbid flash fire
of natural gifts.

125
00:36:47,122 --> 00:36:50,240
I reject...
I reject the demonic virtues of art.

126
00:36:50,333 --> 00:36:51,915
And you are wrong.

127
00:36:52,419 --> 00:36:54,331
Evil is a necessity.

128
00:36:55,463 --> 00:36:59,377
It is... It is the food of genius.

129
00:37:10,603 --> 00:37:11,889
Thank you, Ilse.

130
00:37:17,068 --> 00:37:18,434
Do you want some tea?

131
00:37:18,528 --> 00:37:19,860
Mmm. Please.

132
00:37:22,532 --> 00:37:24,444
If you want milk, help yourself to it.

133
00:37:25,201 --> 00:37:26,317
Thank you.

134
00:37:43,219 --> 00:37:44,551
You know, Alfred...

135
00:37:45,597 --> 00:37:48,305
art is the highest source of education...

136
00:37:49,601 --> 00:37:52,218
and the artist has to be exemplary.

137
00:37:53,563 --> 00:37:57,273
He must be a model
of balance and strength.

138
00:37:58,151 --> 00:37:59,983
He cannot be ambiguous.

139
00:38:00,236 --> 00:38:02,694
But art is ambiguous.

140
00:38:02,781 --> 00:38:06,570
And music,
the most ambiguous of all the arts.

141
00:38:07,869 --> 00:38:12,113
It is ambiguity made a science.

142
00:38:13,583 --> 00:38:14,790
Wait.

143
00:38:20,757 --> 00:38:23,374
Listen to this chord.

144
00:38:26,387 --> 00:38:27,594
Or this one.

145
00:38:30,517 --> 00:38:32,725
You can interpret them
in any way you like.

146
00:38:32,811 --> 00:38:37,431
You have before you an entire series
of mathematical combinations,

147
00:38:37,524 --> 00:38:39,857
unforeseen and inexhaustible.

148
00:38:41,736 --> 00:38:45,025
A paradise of double meanings,
in which you, more than anyone else,

149
00:38:45,114 --> 00:38:48,778
romp and roll about
like a... like a calf in clover.

150
00:38:54,374 --> 00:38:55,660
Don't you hear it?

151
00:38:58,503 --> 00:39:00,119
- Do you recognize it?
- Stop, stop.

152
00:39:00,213 --> 00:39:02,125
It's yours! It's all your music!

153
00:39:02,924 --> 00:39:05,041
Good morning, Professor von Aschenbach.

154
00:39:06,010 --> 00:39:07,046
Good morning.

155
00:39:10,098 --> 00:39:12,090
- Uh, the weather...
- Sir?

156
00:39:13,142 --> 00:39:14,633
The scirocco.

157
00:39:14,894 --> 00:39:16,430
How long do you think it will last?

158
00:39:17,313 --> 00:39:19,430
Well, you must understand, signore,

159
00:39:19,524 --> 00:39:25,486
that the scirocco blows for, um,
three days if it starts on a Tuesday,

160
00:39:25,572 --> 00:39:27,780
nine days if it starts on Friday.

161
00:39:27,866 --> 00:39:30,609
But if it has not blown itself out
by the tenth day,

162
00:39:30,702 --> 00:39:34,912
oh, then, oh, it goes on for 21 days.

163
00:39:35,415 --> 00:39:38,374
Now, it began a week on Friday.

164
00:39:38,751 --> 00:39:40,959
That makes today the tenth day.

165
00:39:41,337 --> 00:39:43,169
But sure, the last. Sure.

166
00:39:44,173 --> 00:39:46,335
Excuse me, Professor. Have a pleasant day.

167
00:39:47,010 --> 00:39:48,046
Thank you.

168
00:42:56,032 --> 00:42:59,025
Uh, bring me a chair and a table, please.

169
00:44:04,684 --> 00:44:07,768
Tadzio! Tadzio!

170
00:45:02,909 --> 00:45:05,743
- Hello, John.
- Hello. What's going on here anyways?

171
00:45:05,828 --> 00:45:07,588
Did you make love
with my husband last night?

172
00:45:07,622 --> 00:45:10,285
Yes.

173
00:45:11,375 --> 00:45:12,978
Are you going to buy that one there?

174
00:45:13,002 --> 00:45:14,538
You know, just like this.

175
00:45:14,629 --> 00:45:16,586
How much is he asking for them?

176
00:45:16,672 --> 00:45:17,708
And you?

177
00:45:19,091 --> 00:45:21,208
You wanna watch out for these peddlers.

178
00:45:21,761 --> 00:45:24,424
They'll charge you about three times
as much as the stuff's worth.

179
00:45:24,513 --> 00:45:28,302
I want that, that, and the other one.

180
00:48:19,355 --> 00:48:21,938
Oh, no. Oh, no, Dorothy.

181
00:48:22,024 --> 00:48:24,311
It's very dangerous in this hot weather.

182
00:48:24,402 --> 00:48:26,359
You shouldn't eat any fresh fruit.

183
00:48:26,445 --> 00:48:28,152
No, I can't. No, no, no.

184
00:48:28,239 --> 00:48:30,697
Only, only cooked vegetables.

185
00:49:16,662 --> 00:49:19,871
Tadzio! Tadzio!

186
00:49:20,875 --> 00:49:23,913
- Tadzio!
- Tadzio!

187
00:49:25,546 --> 00:49:27,082
Tadzio!

188
00:49:28,257 --> 00:49:29,464
Tadzio!

189
00:49:31,260 --> 00:49:32,796
Tadzio!

190
00:49:38,767 --> 00:49:40,008
Tadzio.

191
00:49:56,869 --> 00:49:58,485
<i>Tadzio, non! Non!</i>

192
00:49:59,455 --> 00:50:03,870
Tadzio!

193
00:50:04,293 --> 00:50:06,250
- Tadzio!
- Tadzio!

194
00:50:10,132 --> 00:50:11,339
Tadzio!

195
00:51:00,266 --> 00:51:02,383
Ground floor. Please.

196
00:51:56,739 --> 00:51:59,732
Second floor. Please.

197
00:54:20,174 --> 00:54:22,211
<i>That's not shame. That's fear.</i>

198
00:54:22,301 --> 00:54:24,463
<i>Shame is a spiritual distress
to which you are immune,</i>

199
00:54:24,553 --> 00:54:26,419
<i>because you are immune to feeling.</i>

200
00:54:26,513 --> 00:54:28,675
You are the man of avoidance, of dislike.

201
00:54:28,766 --> 00:54:30,486
The keeper of distances.

202
00:54:30,559 --> 00:54:33,848
You are afraid to have direct,
honest contact with anything.

203
00:54:35,606 --> 00:54:38,144
Because of your rigid standards
of morality,

204
00:54:38,233 --> 00:54:40,976
you want your behavior to be as perfect
as the music you compose.

205
00:54:41,069 --> 00:54:44,938
Every slip is a fall, a catastrophe,
resulting in irreparable contamination.

206
00:54:45,032 --> 00:54:46,944
- I <i>am</i> contaminated!
- If only you were!

207
00:54:47,242 --> 00:54:49,154
To be in debt to one's own senses

208
00:54:49,244 --> 00:54:52,863
for a condition which is
irredeemably corrupt and sick!

209
00:54:52,956 --> 00:54:54,743
What joy for an artist!

210
00:55:01,089 --> 00:55:04,628
Think what a dry and arid thing
good health is,

211
00:55:05,010 --> 00:55:07,718
especially if it's of the soul
no less than the body.

212
00:55:08,597 --> 00:55:10,930
I have to find my balance somehow.

213
00:55:11,809 --> 00:55:15,393
How unfortunate that art is so indifferent
to personal morality.

214
00:55:15,479 --> 00:55:18,313
Otherwise you would be supreme,
unreachable, inimitable.

215
00:55:23,445 --> 00:55:28,031
Tell me, do you know what lies
at the bottom of the mainstream?

216
00:55:29,910 --> 00:55:31,242
Mediocrity.

217
00:55:43,257 --> 00:55:46,625
- You are leaving us tomorrow, sir?
- Uh, yes, tomorrow.

218
00:55:46,718 --> 00:55:48,505
- Oh!
- Unforeseen circumstances.

219
00:55:48,595 --> 00:55:49,676
Oh. Tsk, tsk.

220
00:55:49,763 --> 00:55:53,677
- Uh, an unexpected obligation.
- I understand.

221
00:55:53,767 --> 00:55:55,178
I, uh...

222
00:55:55,269 --> 00:55:57,226
I have to return to Munich.

223
00:55:57,855 --> 00:56:01,519
I had the news this morning.
It's unavoidable.

224
00:56:02,901 --> 00:56:05,644
- Tsk, tsk, tsk.
- Also, I'm not very well.

225
00:56:05,737 --> 00:56:08,320
And, uh, this climate is...

226
00:56:08,407 --> 00:56:09,818
Oh, yes, sir.

227
00:56:10,492 --> 00:56:13,155
- ...most trying for my health.
- Mm, I understand, sir.

228
00:56:13,245 --> 00:56:15,362
- Will you have my luggage sent on...
- Yes, sir.

229
00:56:15,455 --> 00:56:18,664
- ...tomorrow? And any letters?
- Oh, of course, sir.

230
00:56:19,877 --> 00:56:21,397
And have my bill made out immediately.

231
00:56:22,796 --> 00:56:24,162
As you wish, Mr. Aschenbach.

232
00:56:24,256 --> 00:56:26,067
The bill of Mr. Aschenbach immediately,
please.

233
00:56:26,091 --> 00:56:27,172
Thank you.

234
00:56:27,259 --> 00:56:30,377
- I will, uh, have right down...
- Yes, thank you.

235
00:56:45,277 --> 00:56:47,360
Excuse me, sir. I've been told to...

236
00:56:47,905 --> 00:56:48,905
Told to what?

237
00:56:48,947 --> 00:56:52,440
Forgive my insistence, but the motor
launch is waiting. Time presses, sir.

238
00:56:52,534 --> 00:56:54,241
Time does not press.

239
00:56:54,786 --> 00:56:58,200
Hotels have a habit of trying to be rid
of one as soon as one has paid one's bill.

240
00:56:58,290 --> 00:57:00,031
I find it intolerable.

241
00:57:04,046 --> 00:57:07,585
If the motor launch cannot wait for me,
then send my luggage on it.

242
00:57:08,050 --> 00:57:10,713
I will follow on later
by public conveyance.

243
00:57:10,802 --> 00:57:12,293
I beg your pardon, sir.

244
00:57:13,180 --> 00:57:15,422
Now would you let me
finish my breakfast in peace?

245
00:57:15,515 --> 00:57:17,177
Send me a newspaper. Any one.

246
00:57:17,559 --> 00:57:18,559
Yes, sir.

247
00:58:30,841 --> 00:58:33,879
Farewell, Tadzio. It was all too brief.

248
00:58:37,180 --> 00:58:38,591
May God bless you.

249
01:00:13,860 --> 01:00:15,396
Munich. First-class.

250
01:00:15,654 --> 01:00:17,316
For today, signore?

251
01:00:17,405 --> 01:00:18,862
- What?
- For today?

252
01:00:19,199 --> 01:00:20,610
Yes. For today.

253
01:00:20,700 --> 01:00:23,408
I don't know that you can catch the train.

254
01:00:24,079 --> 01:00:26,446
It leaves for Verona in four minutes.

255
01:00:26,957 --> 01:00:29,574
If you miss that one, there is another.

256
01:00:29,668 --> 01:00:31,660
And you will miss also your connection.

257
01:00:31,753 --> 01:00:33,244
Yes, well, will you hurry?

258
01:00:37,634 --> 01:00:38,841
Your change, signore.

259
01:00:55,610 --> 01:01:00,196
Mr. Aschenbach.
I am terribly sorry, sir. I am mortified.

260
01:01:00,532 --> 01:01:03,991
- An error, a most unfortunate mistake.
- Who are you? What do you want?

261
01:01:04,077 --> 01:01:06,740
Well, it's one of those things
that should never happen,

262
01:01:06,830 --> 01:01:08,696
but, you know, it did happen.

263
01:01:10,208 --> 01:01:14,043
- You're going to make me miss my train.
- Your trunk has already left for Como.

264
01:01:15,088 --> 01:01:17,751
- Como?
- Anyway, the company will try to get...

265
01:01:17,841 --> 01:01:19,753
I want it back now, immediately.

266
01:01:20,177 --> 01:01:22,669
I'm afraid, sir, that cannot be done.
You will have to wait.

267
01:01:22,762 --> 01:01:24,442
Wait? What do I wait for? I want my trunk.

268
01:01:24,472 --> 01:01:26,200
I insist on having my trunk here
this minute.

269
01:01:26,224 --> 01:01:28,637
Please, sir. Take your train to Munich,

270
01:01:28,727 --> 01:01:32,141
and the trunks will join you there
within three days.

271
01:01:37,903 --> 01:01:41,237
I will not leave Venice
until my trunk is returned.

272
01:01:41,323 --> 01:01:44,566
Very good, sir. You have most certainly
taken the best course.

273
01:01:57,005 --> 01:01:59,543
Oh, take this back
and get the money refunded.

274
01:02:00,634 --> 01:02:02,421
And see the launch is ready.

275
01:02:02,510 --> 01:02:04,877
I intend to return immediately
to the Lido.

276
01:02:05,597 --> 01:02:06,713
Yes, sir.

277
01:05:45,608 --> 01:05:48,191
Gustav! Gustav!

278
01:05:56,578 --> 01:05:58,570
Oh! Oof!

279
01:06:11,301 --> 01:06:13,918
Ah!

280
01:07:36,469 --> 01:07:40,053
Oh, Tadzio!

281
01:14:18,996 --> 01:14:21,363
- One moment.
- Yes, Mr. Aschenbach?

282
01:14:27,713 --> 01:14:29,079
Can you tell me

283
01:14:29,757 --> 01:14:31,874
why there is nothing
in any of the newspapers

284
01:14:32,635 --> 01:14:34,342
about what is happening here?

285
01:14:35,471 --> 01:14:37,258
Even I have heard stories.

286
01:14:37,598 --> 01:14:39,681
Ah, so...

287
01:14:39,767 --> 01:14:42,760
...you have heard
those extravagant rumors too?

288
01:14:42,853 --> 01:14:46,017
No, believe me, sir,
there is no epidemic, not even sickness.

289
01:14:46,107 --> 01:14:49,100
What about the notices
being put up by the health department?

290
01:14:49,193 --> 01:14:51,856
- You've seen those, I suppose?
- Certainly, Mr. Aschenbach.

291
01:14:51,946 --> 01:14:53,903
But every year, in the summer months,

292
01:14:53,990 --> 01:14:56,403
Venice is papered
with that sort of notice.

293
01:14:57,576 --> 01:14:59,192
The police do it.

294
01:14:59,412 --> 01:15:03,372
They are interested in avoiding any risk
to the public well-being.

295
01:15:03,457 --> 01:15:05,619
But it's nothing more than that,
I assure you,

296
01:15:05,710 --> 01:15:09,454
even if certain foreign newspapers
take advantage of the situation

297
01:15:09,547 --> 01:15:13,336
to spread libelous rumors
in order to discourage the tourists.

298
01:15:14,927 --> 01:15:17,169
It's very unpleasant, don't you agree?

299
01:15:17,555 --> 01:15:19,717
But no need to be concerned,
Mr. Aschenbach.

300
01:15:20,474 --> 01:15:23,137
No need for concern. Excuse me.

301
01:16:31,170 --> 01:16:34,413
Esmeralda. Esmeralda.

302
01:21:48,946 --> 01:21:50,858
You must never smile like that.

303
01:21:56,370 --> 01:21:59,784
You must never smile like that at anyone.

304
01:22:11,343 --> 01:22:12,800
I love you.

305
01:23:45,229 --> 01:23:46,390
Tadzio!

306
01:24:50,002 --> 01:24:52,494
Tadzio! Tadzio!

307
01:25:56,318 --> 01:25:58,275
What is this filthy smell?

308
01:26:00,322 --> 01:26:01,358
Hmm?

309
01:26:02,157 --> 01:26:03,773
It's everywhere in the city.

310
01:26:05,202 --> 01:26:06,409
What is it?

311
01:26:08,872 --> 01:26:10,079
Thank you.

312
01:30:23,835 --> 01:30:26,999
<i>Grazie, signore. Grazie. Grazie.</i>

313
01:30:27,088 --> 01:30:29,205
- Come here.
- Eh?

314
01:30:30,342 --> 01:30:32,504
Why are they disinfecting Venice?

315
01:30:32,969 --> 01:30:34,505
Oh, uh...

316
01:30:34,596 --> 01:30:36,679
The police orders, signore.

317
01:30:37,599 --> 01:30:40,387
Because of heat and scirocco.

318
01:30:41,144 --> 01:30:44,057
The scirocco is oppressive.

319
01:30:46,942 --> 01:30:49,025
No good for health.

320
01:30:52,572 --> 01:30:54,313
So there's no sickness in Venice?

321
01:30:54,407 --> 01:30:56,319
A sickness? Oh!

322
01:30:57,118 --> 01:30:58,859
What sort of sickness?

323
01:30:59,162 --> 01:31:01,119
Uh, the scirocco a sickness?

324
01:31:01,539 --> 01:31:03,906
Perhaps our police, sickness?

325
01:31:05,210 --> 01:31:08,078
Just a precaution, signore.

326
01:31:12,759 --> 01:31:14,751
<i>Grazie. Grazie.</i>

327
01:34:18,570 --> 01:34:19,686
Oh!

328
01:36:25,571 --> 01:36:27,483
Thank you. Good afternoon.

329
01:36:28,491 --> 01:36:30,073
- Good afternoon.
- Good afternoon.

330
01:36:30,159 --> 01:36:32,492
I want to change some German marks.

331
01:36:32,578 --> 01:36:34,615
- Sir?
- For lire.

332
01:36:35,957 --> 01:36:37,994
- 300.
- 300.

333
01:36:49,595 --> 01:36:50,676
Thank you.

334
01:36:59,022 --> 01:37:00,809
- Good day.
- Good afternoon, sir. Thank you.

335
01:37:09,073 --> 01:37:10,780
Excuse me.

336
01:37:15,913 --> 01:37:17,529
Could I have a word with you, please?

337
01:37:18,082 --> 01:37:20,039
Oh, yes. Yes, of course.

338
01:37:25,298 --> 01:37:26,914
Now, sir, can I help you?

339
01:37:27,592 --> 01:37:29,333
Well, I'd be most grateful.

340
01:37:30,720 --> 01:37:32,552
I've been trying to find out...

341
01:37:33,222 --> 01:37:35,384
No one will tell me the truth.

342
01:37:36,809 --> 01:37:38,641
They're disinfecting Venice.

343
01:37:40,146 --> 01:37:41,387
Do you know why?

344
01:37:42,857 --> 01:37:46,851
No cause for alarm, sir. A mere formality.

345
01:37:47,278 --> 01:37:50,897
A precautionary measure
in view of the unhealthy cli...

346
01:37:50,990 --> 01:37:53,152
Thank you. Thank you. Thank you very much.

347
01:37:55,661 --> 01:37:57,994
Oh, just a moment, sir.

348
01:38:08,716 --> 01:38:10,708
I'd like to have a word with you.

349
01:38:10,802 --> 01:38:12,464
Will you come this way?

350
01:38:16,724 --> 01:38:17,931
Please.

351
01:38:20,937 --> 01:38:22,053
Well...

352
01:38:22,730 --> 01:38:26,519
Now, that was the official explanation,
which they seem to want to stick to.

353
01:38:27,360 --> 01:38:31,024
But I can tell you
there's a bit more to it than that.

354
01:38:33,241 --> 01:38:34,823
For several years,

355
01:38:34,909 --> 01:38:39,950
Asiatic cholera has shown a marked
tendency to spread beyond its source,

356
01:38:40,039 --> 01:38:42,747
which of course you know
is in the waters of the Ganges.

357
01:38:43,334 --> 01:38:48,546
First it spread to Hindustan.
Then it moved east to China.

358
01:38:48,631 --> 01:38:52,045
Then it went west
to Afghanistan and Persia.

359
01:38:53,136 --> 01:38:55,048
Are you following me, sir?

360
01:38:56,222 --> 01:38:57,554
Yes, yes.

361
01:38:57,640 --> 01:39:02,385
Well, from Persia, the plague moved
along the great caravan route,

362
01:39:02,478 --> 01:39:06,188
striking terror in Afghanistan,
terror in Moscow.

363
01:39:06,649 --> 01:39:11,610
From Moscow, it was expected
to spread across to Europe by land.

364
01:39:11,696 --> 01:39:16,737
No, no. Instead, it was carried by sea
from the Syrian ports

365
01:39:16,826 --> 01:39:19,660
to Toulon and Málaga

366
01:39:20,079 --> 01:39:24,369
and then to Palermo and Naples.

367
01:39:24,459 --> 01:39:27,748
And it soon got a very firm grip
on Calabria.

368
01:39:28,254 --> 01:39:31,918
Northern Italy seems
to have been spared so far.

369
01:39:32,216 --> 01:39:36,176
But when you consider
the vulnerability of Venice,

370
01:39:36,262 --> 01:39:38,800
with its lagoons and its scirocco...

371
01:39:41,142 --> 01:39:42,428
In May...

372
01:39:44,020 --> 01:39:50,358
the horrible vibrios were found
on the same day in two bodies...

373
01:39:51,152 --> 01:39:53,986
on the blackened,
emaciated body of a boatman...

374
01:39:56,199 --> 01:40:00,113
and in a lady
who kept a greengrocer's shop.

375
01:40:01,162 --> 01:40:05,156
Yes. Well, both of these deaths
of course were hushed up,

376
01:40:05,458 --> 01:40:08,451
but now, week by week,
there are more and more deaths.

377
01:40:08,544 --> 01:40:11,457
It's quite impossible
to count the number of the dead.

378
01:40:11,839 --> 01:40:16,709
Do you know that in the hospitals,
there's not a single free bed to be had.

379
01:40:18,638 --> 01:40:22,507
Well, the people all know of course.
They're terrified, but they're silent.

380
01:40:22,600 --> 01:40:24,557
And do you know why?

381
01:40:24,977 --> 01:40:27,264
Summer. Tourists.

382
01:40:27,522 --> 01:40:29,980
The whole business of Venice is tourists.

383
01:40:30,066 --> 01:40:32,934
Can you imagine Venice without tourists?

384
01:40:33,361 --> 01:40:36,695
Well, it would be more desolate
than the winter.

385
01:40:38,491 --> 01:40:42,485
You would be very well advised
to leave today, sir.

386
01:40:42,995 --> 01:40:44,657
Don't wait till tomorrow.

387
01:40:45,998 --> 01:40:48,786
The blockade cannot be
more than a few days off.

388
01:40:56,050 --> 01:40:57,257
Madam.

389
01:40:58,844 --> 01:41:01,803
Will you permit an entire stranger...

390
01:41:03,224 --> 01:41:04,635
to serve you...

391
01:41:05,935 --> 01:41:09,929
with a word of advice and warning...

392
01:41:11,691 --> 01:41:15,230
which self-interest
prevents others from saying?

393
01:41:17,822 --> 01:41:18,822
Go away.

394
01:41:19,198 --> 01:41:21,030
Go away immediately. Don't delay.

395
01:41:21,617 --> 01:41:22,983
Please, I beg you.

396
01:41:24,161 --> 01:41:27,620
Take... Take Tadzio and your daughters.

397
01:41:28,416 --> 01:41:30,578
I implore you. Please.

398
01:41:32,044 --> 01:41:34,286
Venice is gripped by pestilence.

399
01:41:35,423 --> 01:41:36,709
Please.

400
01:41:50,021 --> 01:41:51,021
Tadzio.

401
01:42:12,251 --> 01:42:13,492
Thank you.

402
01:42:14,503 --> 01:42:15,664
Thank you.

403
01:43:12,687 --> 01:43:14,849
What kind of road have I chosen?

404
01:43:18,067 --> 01:43:19,649
What sort of road?

405
01:43:55,604 --> 01:43:57,846
- Gray.
- Yes, of course.

406
01:43:57,940 --> 01:43:59,681
And you know why, signore?

407
01:43:59,775 --> 01:44:01,562
Because of your negligence.

408
01:44:01,652 --> 01:44:04,645
Because you don't take enough trouble
over your appearance.

409
01:44:05,072 --> 01:44:07,780
Understandable
in a great gentleman such as you,

410
01:44:07,867 --> 01:44:09,608
but a big mistake nonetheless.

411
01:44:09,702 --> 01:44:10,702
No.

412
01:44:11,036 --> 01:44:13,244
You're much too important a person

413
01:44:13,456 --> 01:44:17,541
to be a slave to conventions
about nature and artifice.

414
01:44:18,169 --> 01:44:22,834
You know, sir, we are as old as we feel,
but no older.

415
01:44:24,216 --> 01:44:28,631
You, for instance, signore,
have a right to your natural color.

416
01:44:29,805 --> 01:44:31,012
<i>Se permette?</i>

417
01:44:32,767 --> 01:44:33,803
<i>Scusi.</i>

418
01:44:38,230 --> 01:44:41,519
I will restore
what belongs to you immediately.

419
01:44:46,864 --> 01:44:47,864
How?

420
01:44:48,616 --> 01:44:49,857
Leave it to me.

421
01:47:00,581 --> 01:47:04,746
And now the signore may fall in love
as soon as he pleases.

422
01:47:06,295 --> 01:47:07,376
<i>Bene.</i>

423
01:48:59,116 --> 01:49:00,116
Tadzio!

424
01:49:01,994 --> 01:49:03,201
Tadzio!

425
01:49:13,756 --> 01:49:14,963
<i>Viens.</i>

426
01:55:46,940 --> 01:55:50,274
You cheat.
You magnificent swindler.

427
01:55:57,993 --> 01:55:59,985
What more do they want from me?

428
01:56:04,249 --> 01:56:08,459
Pure beauty. Absolute severity.

429
01:56:08,879 --> 01:56:11,622
Purity of form! Perfection!

430
01:56:11,715 --> 01:56:14,082
The abstraction of the senses.

431
01:56:14,176 --> 01:56:15,758
It's all gone! Nothing remains!

432
01:56:15,844 --> 01:56:17,631
Nothing, nothing, nothing.

433
01:56:17,721 --> 01:56:21,340
Your music is stillborn!
And you are unmasked!

434
01:56:29,733 --> 01:56:30,974
Alfred.

435
01:56:31,860 --> 01:56:34,694
Send them away. Please, make them go.

436
01:56:34,779 --> 01:56:36,816
Send them away?

437
01:56:36,907 --> 01:56:38,739
I will deliver you to them!

438
01:56:38,825 --> 01:56:40,441
No, Alfred, please, please.

439
01:56:40,535 --> 01:56:42,447
Don't, don't. Please.

440
01:56:49,920 --> 01:56:50,920
To them!

441
01:56:51,505 --> 01:56:52,871
They will judge you!

442
01:56:53,507 --> 01:56:54,998
And they will condemn you!

443
01:56:55,091 --> 01:56:56,753
No, Alfred. No, no.

444
01:56:57,302 --> 01:57:01,421
No. No. No.

445
01:57:02,140 --> 01:57:03,256
No!

446
01:57:04,100 --> 01:57:07,184
No! No!

447
01:57:09,356 --> 01:57:14,021
<i>Wisdom, truth, human dignity...</i>

448
01:57:15,028 --> 01:57:16,769
<i>all finished.</i>

449
01:57:18,073 --> 01:57:22,864
<i>Now there is no reason why you cannot go
to your gra ve with your music.</i>

450
01:57:24,162 --> 01:57:27,155
<i>You have achie ved perfect balance.</i>

451
01:57:27,541 --> 01:57:30,329
<i>The man and the artist are one.</i>

452
01:57:30,752 --> 01:57:32,835
<i>They ha ve touched bottom together.</i>

453
01:57:48,353 --> 01:57:50,891
<i>You never possessed chastity.</i>

454
01:57:51,189 --> 01:57:54,978
<i>Chastity is the gift ofpurity,
not the painful result of old age.</i>

455
01:57:55,068 --> 01:57:57,185
<i>And you are old, Gustav.</i>

456
01:57:57,904 --> 01:58:03,320
<i>And in all the world,
there is no impurity so impure as old age.</i>

457
01:58:14,212 --> 01:58:15,623
Morning, madame.

458
01:58:24,139 --> 01:58:25,880
Morning, madame. <i>Buongiorno.</i>

459
01:58:34,608 --> 01:58:35,940
- Good morning.
- Morning, sir.

460
01:58:37,277 --> 01:58:38,518
Good morning.

461
01:58:40,155 --> 01:58:43,364
- Whose is this?
- The Poles'. Mrs. Moore's and her family.

462
01:58:46,328 --> 01:58:48,115
- When?
- After lunch.

463
02:04:14,447 --> 02:04:16,279
Tadzio. Tadzio.


